This section on Narrative Writing and Descriptive Writing - and the next one on Writing Dialogue - are all about using words to a professional standard.
"In my view, stories and novels consist of three parts: narration, which moves the story from point A to point B and finally to point Z; description, which creates a sensory reality for the reader; and dialogue, which brings characters to life through their speech."
- Stephen King
All of the work up to now has been about planning and structuring your novel. From here on in, it is all about taking your "master plan" and translating it into beautiful language.
Partly, this language will take the form of dialogue. The next section is devoted to making the conversations in your novel as perfect as possible.
Mostly, though, the language will take the form of prose. Prose can be divided into two elements...
(You will find a brief overview of how to write well in my
Quick Guide to Writing With Style.)
This one is really a checklist of all the ingredients that a well-written chapter in a novel should contain. Read it before you start writing to make sure you don't leave out anything important.
Every writer of fiction has a unique voice - and yes, that includes you. (Although it has to be said that it will probably take you time to develop it.) The fatal mistake a lot of beginners make is to do the literary equivalent of putting on a "telephone voice." Don't fall into this trap.
And following on from that, here is an article about how not to put on a telephone voice. I have talked in many places about the "classic" mistakes of beginners, but overwritten, flowery prose (or purple prose) is probably the number one howler.
This one deals with the "nuts and bolts" of how to write well. Get these eight things wrong and your narration and description will simply sound amateurish.
Have you ever worked hard on a piece of writing and it still ended up sounding deathly dull? Monotony - or a lack of spice - might well be one of the reasons.
This is probably one of the most important articles on the entire site. Without the ability to bring your writing to life with powerful details, your fiction will always remain - well, kind of on the dull side.
This article offers plenty of advice on the kind of details to look out for and how to use them. And in Writing Details: A Worked Example, I will pull all of the strands together and demonstrate how to use great details in your fiction with an example.
There are two important things to remember here. First, your descriptive writing must be sensual - because you will fail to engage the reader if it isn't. Second, you need to evoke all of the senses in your writing - because if all of your descriptions are merely visual, your writing will lack dimension.
Writing like a poet basically means using figures of speech, the two most important of which are similes and metaphors.
But it isn't enough merely to use the odd simile and metaphor in your descriptions - you need to use them well. This article shows you how.
And this article covers plenty of other figures of speech you might want to use, such as alliteration, cadence, and onomatopoeia.
Here are the questions readers have sent me in the Fiction Writing Q & A section related to descriptive and narrative writing...