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Literary Point of View - Mixing It UpThe only remaining thing to say about literary point of view is this: you don't have to stick to using only one viewpoint choice in a novel. It's like I have said elsewhere on this site: the novel writing rules are there for a reason, but they are also there to be broken...
If it works, it works. And if it doesn't, you can always reshape it into a more traditional form later. Of course, I couldn't recommend such extreme choices - in fact, I would strongly advise against them - but it is your creation, and mixing different viewpoint choices is at least an option you might want to consider. "In general, once you establish your point of view, you're going to want to stick with it. The point isn't to follow some esoteric rule, but to avoid jolting your readers out of the story." A more sensible way to combine viewpoints than the extreme examples quoted above is to stick with one traditional viewpoint for the bulk of the novel, and then to introduce elements of a more avant garde literary point of view in small doses.
As always, though, you should never do these things just for the sake of doing something different. Point of view in literature, at the end of the day, is simply a way of telling a story in the most effective way possible. If your story doesn't call for anything out of the ordinary, don't do anything out of the ordinary. If it does, be brave and go for it. Either way, you need a complete understanding of viewpoint before you begin, because only with that will you manage to handle literary point of view like a master. |
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