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Getting to Know the Setting of a StoryThe Setting of a Story is just like a character - to get to know it, you must flesh it out on paper before you write a word of your novel. With characters in a novel, you write mini-biographies for them - listing their physical characteristics, what clothes they wear, their favourite food, and so on. With the setting of a story, you do a very similar thing. Largely, of course, you will concentrate on describing the externals of your fictional settings - how a place looks, in other words. But don't forget that towns and buildings and the like also have a character, an atmosphere, a soul - call it what you will. This needs to be put into words, too. The aim of the exercise is to get to know your novel's setting like you know your own neighborhood. If you actually set your novel in your neighborhood (or in a fictional setting based upon it), you won't have much work to do. If you set it somewhere you've never visited before, or in a different era, you'll have plenty. "Even though good writing is not entirely dependent upon the setting, a writer of fiction would be paving the way to miserable failure if he did not first create, using every tool at his disposal, the most clearly depicted time and place he could come up with." Getting the Setting of a Story Down on PaperHere is an idea of the kind of preparatory work I would suggest for fleshing out your story settings. It involves five steps...
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